Hell in Normandy – Full Movie

 

The movie is set during World War II in the days just prior to the D-Day invasion. A special parachute unit is sent to destroy a German flame thrower installation on Omaha Beach.

 

 

Good Night Nurse with Buster Keaton, Fatty Arbuckl and Al St. John

 

Arbuckle and Keaton team up in this comedy when Roscoe’s wife wants him committed to the No Hope Sanitarium for a cure from drink. He is greeted by blood spattered, cleaver-wielding Buster and a barely clad female patient. He eats a thermometer and must be rushed into surgery.

The Secret Life of Adolf Hitler – Full Movie

1950’s television documentary special that includes interviews with Hitler’s sister Paula Wolf and a fellow prisoner who was incarcerated with Hitler, actual footage shot by the Nazi’s and Eva Braun’s rare home movies.

The KGB Connections – Full Movie

 

Disturbing and eye-opening documentary that reveals the true nature of KGB activities/Soviet Operations in North America during the 1970s and 80s.

The True Glory – Full Movie

 

British filmmaker Carol Reed and American playwright Garson Kanin team up to direct the war documentary The True Glory. The movie was assembled from actual footage of the WWII allied invasion of Europe, captured by thousands of different camera operators. Starting with D-Day, the documentary covers the major battles all the way to the fall of Berlin, along with personal vignettes. The prologue is read by General Dwight D. Eisenhower, with Robert Harris and Peter Ustinov providing narration. The True Glory won an Academy award for Best Documentary in 1945.

Go for Broke! – Full Movie

 

 

A tribute to the U.S. 442nd Regimental Combat Team, formed in 1943 by Presidential permission with Japanese-American volunteers. We follow the training of a platoon under the rueful command of Lt. Mike Grayson who shares common prejudices of the time. The 442nd serve in Italy, then France, distinguishing themselves in skirmishes and battles; gradually and naturally, Grayson’s prejudices evaporate with dawning realization that his men are better soldiers than he is. Not preachy.

Stilwell Road – Full Movie

This World War II documentary, narrated by actor (and future U.S. President) Ronald Reagan, focuses on the China-India-Burma front of the war. The Stillwell Road (named after American General Joseph Stillwell, whose idea it was) was an engineering marvel whose purpose was to truck supplies to the Chinese army fighting the Japanese in China. It started in India, cut through the almost impenetrable jungles and mountains of Burma, and ended in China.

Sundown – Full movie

 

Adapted by Barre Lyndon from his own Saturday Evening Post short story, Sundown takes place in Africa during WW2. British army major Coombes (George Sanders) cannot abide the local Arab population, and he has even less time for district commissioner Crawford (Bruce Cabot), who has befriended the natives. Crawford is particularly fond of the beautiful Zia (Gene Tierney), whom Coombes suspects of being a Nazi sympathizer. But when the British troops must make their way through treacherous uncharted territory, they are forced to rely upon the guidance of the enigmatic Zia. Cedric Hardwycke spouts reams and reams of symbolic dialogue as the local British bishop, while among the native extras is a very young Dorothy Dandridge. Impressively photographed (by Charles Lang) and directed (by Henry Hathaway), Sundown just misses being as profound as it obviously wants to be.

Little Lord Fauntleroy – Full Movie

 

David O. Selznick’s first independent production upheld the producer’s tradition, established at Paramount, RKO and MGM, of bringing the “classics” to the screen. Adapted by Hugh Walpole from the novel by Frances Hodgson Burnett, Little Lord Fauntleroy is set in the late 19th century. After establishing Freddie Bartholomew as a likeable Brooklyn boy who can handle himself in a scrap–with the assistance of his roughneck pal Mickey Rooney, of course–the film introduces us to Bartholomew’s mother, played by Dolores Costello-Barrymore (though divorced from John Barrymore, Mrs. Costello-Barrymore was still billng herself by her married name). Costello-Barrymore is the widow of a titled Englishman, whose father, the aristocratic Sir C. Aubrey Smith, detests all Americans with equal fervor. Upon discovering that Bartholomew is the rightful heir to his fortune, Smith demands that Costello-Barrymore deliver the boy to his sprawling English country estate. Now addressed by one and all as Lord Fauntleroy, Bartholomew chafes at the restrictions imposed upon him by his station in life. The boy’s good nature and forthrightedness wins his grandfather’s respect-and, eventually, the old man’s love. When pasty-faced Jackie Searl, a false claimant to Bartholomew’s title, shows up, Bartholomew’s American pals, led by Rooney, set things right. His hard heart softened at last, Smith stage-manages a happy reunion between Bartholomew and Costello-Barrymore. Expertly sidestepping the “sissy” onus that has been unfairly placed upon the original Burnett novel, Little Lord Fauntleroy scored well at the box office. Other versions of this venerable tale have starred Mary Pickford (as both Fauntleroy and his mother) and Ricky Schroder.

Nanook Of The North – Full Movie

 

Nanook of the North is regarded as the first significant nonfiction feature, made in the days before the term “documentary” had even been coined. Filmmaker Robert Flaherty had lived among the Eskimos in Canada for many years as a prospector and explorer, and he had shot some footage of them on an informal basis before he decided to make a more formal record of their daily lives. Financing was provided by Revillion Freres, a French fur company with an outpost on the shores of Hudson Bay. Filming took place between August 1920, and August 1921, mostly on the Ungava Peninsula of Hudson Bay. Flaherty employed two recently developed Akeley gyroscope cameras which required minimum lubrication; this allowed him to tilt and pan for certain shots even in cold weather. He also set up equipment to develop and print his footage on location and show it in a makeshift theater to his subjects. Rather than simply record events as they happened, Flaherty staged scenes — fishing, hunting, building an igloo — to carry along his narrative. The film’s tremendous success confirmed Flaherty’s status as a first-rate storyteller and keen observer of man’s fragile relationship with the harshest environmental conditions. (In a sadly appropriate footnote, Nanook, the subject of the film, died of starvation not long after the film’s release.)